Thursday, November 7, 2013

Olympus Has Fallen: Action Thriller, 2013

The “action thriller” had been a long time in the making, even though parts of this combination genre paraded on the screen in different guises: westerns, late 60’s and 70's action/cop movies with never-ending car chases, and most notably, Kung-fu films. The Taking of Pelham 1-2-3 is one of the American grand-daddys of this formula, combining the non-stop pacing of an action movie with the less passive and typically “hooked” ending of a thriller.

And then came the Big Daddy of action thrillers, 1987’s Die Hard, which stole the mantle of “blockbuster film” from the more uplifting and less violent fare of science fiction (think of the Star Wars and Star Trek franchises, ET and Close Encounters). It has yet to relinquish the title, with studios continuing to pay top dollar for actors and effects. Even Spielberg’s more recent stab at aliens – remaking War of The Worlds – abandoned the science fiction genre for the action thriller formula. It’s why Gene Roddenberry’s vision of peaceful interstellar space has been challenged so bluntly with the reboot by JJ Abrams, camouflaging action thrillers in hollowed out sci-fi shells to pursue the $80 million opening weekend.

Personally, I enjoy finding where today’s action thrillers draw elements from Die Hard’s rich pastiche of now formulaic troupes. Die Hard is a film about a fish out of water, facing an existential threat by being heavily outgunned and outnumbered in a confined space – and that’s just the 20-word pitch.

Olympus Has Fallen is also a film about one man facing an existential threat by being heavily outgunned and outnumbered in a confined space. But in this case, Secret Service agent Mike Banning (Gerard Butler) is no stranger to the building under siege – it’s the White House, where he formerly protected President Benjamin Asher (Aaron Eckhart) and his family. His inability to save the first lady after a car accident meant a change in position, so on the day North Korean terrorists decide to attack the White House, execute the South Korean Prime minister (Keong Sim), and take the President and cabinet members hostage, Banning is next door in the Treasury building.

One of the great hallmarks of Die Hard was the German-like precision that enabled a dirty dozen to secure a world-class building and take a floor of hostages. The White House is a much harder target, requiring greater firepower. But with similar certainty, a heavily modified C-130 gunship, a few modified sanitation trucks, an armored car, and a number of Asian tourists (who are really terrorists with guns and explosives in their backpacks) successfully drive the President and other high-ranking officials into the sealed bunker. Which is exactly where the terrorist leader takes them hostage and makes his demands.

Banning manages to get on the White House grounds during the initial salvo, finding his way to the oval office where there are a whole bunch of secreted goodies guaranteed to help a top-notch action hero. Namely, weapons and a satellite communication system that lets him talk to the situation room in the Pentagon, where a statesmanlike Morgan Freeman plays the Speaker of the House and acting President.

Of course, there is a reason the terrorists had to get the President into one of the most sophisticated sealed bunkers in history, and it has to do with blowing up the U.S. Which is why noble, once shunned Banning is back in the White House. Or what’s left of it after 30-mm cannons rip its façade to shreds.

Armed, Banning is the prototypical action hero, kicking ass, taking names, and breezing through one-liners with more sass and alpha sarcasm than Bruce Willis asking “Who’s driving that car? Stevie Wonder?” A former Army Ranger, he’s just great at ducking bullets, killing guys with his hands, knives, and, of course, a variety of guns, and excels at being the only guy standing following scathing volleys of machine-gun fire.

There are a few obstacles first… the President’s son is somewhere in the building. But Banning dispatches that problem, along with a handful of bad guys, in a few tense minutes. And then he goes about trying to rescue POTUS.

Among the other Die Hard established troupes are the “assault-that-the-enemy-planned-for” which always has a catastrophic end for the assault team, whether in the LAPD SWAT’s “R.V.”, or the SEAL teams dispatched to take back the White House in multiple helicopters. By the time Banning eliminates the threat, much like McClane, it’s too late to save the cowboys.

And then there is the “heart-to-heart-with-the-enemy.” Remember when Hans Gruber pretends to be an American to fool John McClane? There’s a turncoat ex-Secret Serviceman (played by Dylan McDermott, who is playing an eerily similar character in this television season’s Hostages) who gets surprised by Banning in some cramped secret space and tries pulling the “hey buddy” shtick, with less-than satisfactory results.

And then there’s the “enemy-died-with-the-innocent” troupe shared by both movies; and both use helicopters. In all uses, this troupe is a red herring of the highest order.

There’s not much else to say about the film, except to acknowledge that it seems a hodgepodge of pieces from other movies, ranging from Mission Impossible films to every Die Hard in the franchise. That being said, and spoilers being revealed (like you don’t see them coming a mile away), the film does keep up a frenetic pace, features solid performances from a number of heavy hitters, and manages to be entertaining in spite of its own inherent pitfalls, doing everything it can to keep from stagnation.

This is just a symptom of a tired genre. Any respectable fan of action movies will read every play before it happens, simply because its all been done before, and better. Which makes me curious about a competing “Die Hard in the White House movie,” White House Down, released only a few months later. Hopefully, this will soon be on Netflix streaming as well.

There’s nothing inherently bad about Olympus Has Fallen. There’s just nothing new, in spite of good writing, excellent execution, solid direction, and all-around good performances. It feels like getting served a plate of leftover spaghetti and meatballs.

Don’t get me wrong. I love spaghetti, even leftovers (as long as its warmed up). It’s what you pull out, throw in the microwave and eat when you don’t want to bother cooking. Olympus Has Fallen is the kind of film to throw on when you can’t be bothered spending ten minutes deciding if there's anything better to watch.

Rating: 5 of 10 old rotary phones

Pain Level: 3-4

Medication: 600 mg gabapentin


TO WATCH OLYMPUS HAS FALLEN ON NETFLIX, CLICK HERE

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